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POLICIES AND PROCEDURES OF HIGHLAND MEDIA CO-OP


Highland Media Co-Operative Limited Highland FM 107.1
 P.O. Box 214 Bowral NSW 2576
Tel. 4872 1119 Fax. 4872 1118 Email: management.hfm@exemail.com.au
 VOLUNTEER POLICY

This document sets out HFM's policy on the responsible management of our volunteer program. The purpose of the policy is to provide a clear statement about the roles and responsibilities of volunteers and our station.

All Volunteers of HFM must hold current financial membership of the Co-Operative. This includes initial membership allocation of 10 paid shares in the Co-Operative to the value of $20. Membership is renewable annually by the 30th June. Renewals are the responsibility of the Membership Manager. Annual Renewal Notices are sent out one month prior to due date by the Membership Manager.

PRINCIPLES OF VOLUNTEERING

Volunteering

  • benefits the community and the volunteer,
  • is always a matter of choice.
  • is an activity that is unpaid and not undertaken for the receipt of salary, pension, government allowance or honorarium.
  • is a legitimate way in which citizens can participate in the activities of their community.
  • is a vehicle for individuals or groups to address human, environmental and social needs.
  • does not replace paid workers nor constitute a threat to the job security of paid workers.
  • respects the rights, dignity and culture of others.
  • promotes human rights and equality.

The Rights of Volunteers at HFM

You have the right to:

  • be treated as a co-worker,
  • Suitable assignment with consideration for personal preference, temperament, abilities, education, training and employment,
  • know as much about the organisation as possible, its policies, people and programs
  • expect clear and open communication from management and staff at all times,
  • be given appropriate orientation, introduction and provision of information about new developments,
  • sound guidance and direction in the workplace,
  • advance notice (where possible) of changes which may affect your work (such as programming changes),
  • undertake your volunteer activity without interruption or interference from management, staff or other volunteers,
  • a place of work complying with statutory requirements in regard to equal employment, anti-discrimination legislation, the Commonwealth Racial Discrimination Act 1975 and occupational health and safety standards,
  • be heard, to feel free to make suggestions and to be given respect for your honest and constructive opinion,
  • appropriate insurance cover such as volunteer and public liability insurance,
  • appropriate grievance procedures in the event of a dispute and, if necessary, conciliation, mediation or arbitration to assist with resolving the dispute,
  • receive written notification and reasons for suspension/release of services,
  • have services appropriately assessed and effectively recognised,
  • have training provided that will enable participation at the station

The Responsibilities of Volunteers at HFM

You have the responsibility to:

  • have a professional attitude towards your voluntary work,
  • be prompt, reliable and productive with regard to commitments and agreements made with Highland FM,
  • notify the appropriate person if unable to meet commitments,
  • accept and abide by station rules,
  • understand and adhere to the Codes and maintain familiarity with broadcast laws such as defamation law and the Broadcast Services Act 1992
  • not to represent [station name] publicly or commercially unless prior arrangement has been made,
  • not to bring into disrepute the operations, management, staff or other volunteers of Highland FM
  • treat technical equipment with due care and respect and to notify technical staff of faults and problems,
  • undertake to complete a minimum of the basic level of training offered at the station if you are intending to work in any area of programming,
  • only use station resources and equipment in carrying out work for Highland FM and not for personal or private purposes,
  • ensure that the station has your current contact details,
  • respect the racial and religious backgrounds and the sexual preferences of your co-volunteer workers and work to ensure that Highland FM is a safe work place for everyone,
  • contribute to the achievement of a safe, tolerant and equitable working environment by avoiding, and assisting in preventing, behavior which is discriminatory.

The Rights and Responsibilities of HFM towards Volunteers

HFM has the right to:

  • expect your cooperation in working to uphold and maintain the station's mission statement, the station charter and program policies,
  • expect you to be familiar with the laws relating to broadcasting, station policies and procedures,
  • expect you to be prompt, reliable and productive with regard to commitments and agreements made with HFM,
  • have confidential information respected,
  • make a decision, in consultation with you, as to where your services and skills would best be utilized,
  • make decisions which may affect your work,
  • make programming decisions in accordance with programming policies and procedures,
  • develop, implement and enforce rules, policies and procedures for all aspects of station operation,
  • develop and maintain all property and residence of the station,
  • provide you with feedback to enhance your programming and broadcasting development,
  • expect clear and open communication from you at all times,
  • suspend or dismiss you in accordance with station policies and procedures due to contravention of station rules.

HFM has the responsibility to:

  • provide you with a work environment which embraces the principles of access and equity.
  • value the importance of your role within the organization,
  • place you in an appropriate, suitable position and environment,
  • give you appropriate tasks in accordance with your strengths, abilities, training and experience,
  • provide you with training so that you can expand your expertise and abilities,
  • acknowledge your contribution to the station and provide you with the appropriate recognition and/or rewards,
  • ensure staff have the appropriate skills required to work with you,
  • provide adequate opportunities for formal and informal constructive feedback,
  • provide you with information regarding any activities or changes at the station which may affect your work,
  • consult with you (where possible and practicable) on issues that may affect your work,
  • ensure that all station democratic processes are adhered to and that you are consulted in major decision-making processes,
  • ensure that you are aware of station democratic processes and are encouraged to participate in them.

Highland Media Co-Operative Limited Highland FM 107.1
 P.O. Box 214 Bowral NSW 2576
Tel. 4872 1119 Fax. 4872 1118 Email: management.hfm@exemail.com.au

EQUALITY AND DIVERSITY POLICY

Company Values

Highland Media Co-Operative Limited (“HFM”) values are integral to everything that we do, and underpin our commitment to equality and diversity in all workplace practices

  • We lead the way
  • We do what's right
  • We care for each other
  • We take responsibility

Our Commitment

It is HFM policy that all volunteers be afforded

  • Equal and fair opportunities in recruitment, terms and conditions, development, promotions, and termination of membership; and
  • A fair and safe working environment

HFM will ensure that no person or group of people will be treated less favourably than another on discriminatory grounds and that all decisions will be based on merit. Volunteers are to be treated according to their skills, qualifications, competencies and potential.

HFM recognises that laws exist that govern workplace equality and diversity and is committed to complying with them.

Diversity

As a Voluntary organisation our workforce comprises individuals from a wide range of backgrounds. HFM is an inclusive organisation; we champion respect, acceptance and appreciation for all volunteers. Diversity is integral to our culture and how we conduct our business. It is evident in who we are, our Sponsors, Associates and the community which we service. Individual and group minority differences are celebrated and encouraged at all levels. We recognise the innovative and effective management of a diverse voluntary workforce will directly impact our success as a Community Service Provider.

Equality

HFM aims to ensure the workplace is free from all forms discrimination, hostility, harassment and bullying. At no time do we condone discriminatory behaviour that is based on individual or group attributes such as gender, sexual preference, transgender status, marital status, disability, religion, culture, racial origins, political preference, trade unionism, pregnancy or age. Throughout the volunteer relationship, HFM undertakes to conduct regular training on equality in the workplace. Systems and processes are being put in place, to assist in managing the complaints and investigations process, so that all volunteers may feel confident their concerns are dealt with in a confidential, professional and objective manner. If a volunteer reports harassment, HFM will undertake a prompt investigation appropriate to the circumstances. Anyone who reports incidents in good faith which are believed to be violations of this policy, or who is involved in the investigation of harassment, will not be subject to reprisal or retaliation


Highland Media Co-Operative Limited Highland FM 107.1
 P.O. Box 214 Bowral NSW 2576
Tel. 4872 1119 Fax. 4872 1118 Email: management.hfm@exemail.com.au

 HARASSMENT, DISCRIMINATION & BULLYING POLICY

Aspirational Principles.

HFM is committed to an environment that values the diverse nature of its membership.

Harassment, discrimination and bullying can have a serious affect on individuals, their family and friends. It can take many forms, and may be directed because of ethnicity, age, sexual orientation, physical or mental disability, religion or other similar beliefs, family, carer responsibilities, marital or some other personal characteristics.

Members who are subject to harassment, discrimination or bullying can suffer from feelings of fear, stress, anxiety and loss of confidence/self esteem.

It can affect their work, family and personal life and their physical and mental health.

Consequences for the membership of HFM and also the organization can include:

  • Poor Performance
  • Ill health and absenteeism
  • People leaving the organization
  • Complaints to courts and tribunals, resulting in financial costs and damage to HFM's reputation.

Members can be reluctant to make complaints as they may feel vulnerable and isolated. They may be fearful of ridicule, reprisals and of simply not being believed or being taken seriously. Furthermore there are fears about effects of making a complaint on their career or professional reputations.

Consequently, members who are being harassed, discriminated against or bullied do not complain. They will suffer in silence and put up with the situation or leave the organization.

The reasons for the HBD Policy are:

  • To give clear commitment that HFM will not tolerate harassment, discrimination or bullying, and to assist in creating a working and volunteer environment where this is known and understood by the membership.
  • To give advice and guidance on how such situations should be dealt with.
  • To give the membership confidence to deal with situations that arise, and find the best solution and outcomes for themselves either formally or informally.

SCOPE

The HBD policy is applicable to all members of HFM, 'Friends of HFM', visitors, contractors, sub-contractors, service providers and any other persons associated with the functions of HFM.

AIMS OF THE POLICY

HFM is committed to promoting equality of opportunity and valuing diversity. A key aspect of this commitment is to ensure that we have an environment where individuals are able to fulfill their personal potential. An essential part of this is ensuring that the environment is free from any forms of harassment, discrimination or bullying.

HFM will not tolerate harassment, discrimination or bullying, and the aims of this policy are:

  • To explicitly state that such behaviour is unacceptable and is unlawful;
  • To outline the consequences of such behaviour if allegations are proven;
  • To confirm that the policy applies to the Management/Board and Members alike;
  • To ensure that all members of HFM understand their responsibilities, and that they should not behave towards others in ways that could be perceived as harassment, bullying or discrimination.
  • To make a commitment that complaints be taken seriously, and will be dealt with sensitively, swiftly and fairly, and will take into account as far as possible the wishes of the complainant;
  • To develop a working environment in which harassment, discrimination and bullying are known to be not acceptable and where individuals who have made a complaint in good faith feel confident they will be treated fairly without fear of ridicule or reprisal.

The HDB policy applies to all instances of harassment, discrimination and bullying which occur in or on HFM owned or managed premises or in such places and on such occasions as such behaviour may be reasonably deemed to harm the reputation of HFM or its relationship with the local community.

Allegations of harassment, discrimination or bullying will be taken very seriously, and if proven, may lead to disciplinary action up to and including dismissal as a Presenter or Membership rescinded.

DEFINITIONS - sourced from current employment legislation and advisory bodies.

  • Harassment - unwanted conduct which may create the effect (intentionally or unintentionally) of violating a person's dignity or creating an intimidating, hostile, degrading, humiliating or offensive environment which interferes with an individual's learning, working or social environment or induces stress, anxiety or sickness on the part of the harassed person.
  • Discrimination - takes place when an individual or a group of people is treated less favourably than others because of factors unrelated to their merit, ability or potential
  • Direct Discrimination - occurs when factors unrelated to merit, ability or potential of a person or group are used as an explicit reason for discriminating against them.
  • Indirect Discrimination - occurs when there are rules, regulations or procedures in place that have a discriminatory effect on certain groups of people.
  • Bullying - can be defined as persistent actions, criticism or personal abuse, either in public or private, which humiliates, denigrates, undermines, intimidates or injures the recipient.
  • Victimization - is punishing or treating an individual unfairly because they have made a complaint, or are believed to have made a complaint. It is unlawful, as is post employment victimization.

LEGAL FRAMEWORK

As a community voluntary organization and Registered Radio Station License Holder, there are various legal obligations placed upon HFM to provide a working and social environment that is free from Harassment, Discrimination and Bullying.

Examples of legislation included but are not limited to:

  • Sex Discrimination Act, 1984 (Cth)
  • Disability Discrimination Act, 1992 (Cth)
  • Workplace Relations Act, 1996 (Cth)
  • Equal Opportunity for Women in the Workplace Act, 1999
  • Equal Opportunity for Women in the Workplace Amendment Bill 1999
  • Human Rights and Equality Opportunity Commission Act, 1986 (Cth)
  • Sex Discrimination Amendment Bill, 1995 (Cth)
  • Racial and Religious Tolerance Act 2001
  • Racial Hatred Act, 1995 (Cth)
  • Whistleblowers Protection Act, 2001

These statutes give definitions of discrimination and make discrimination unlawful on the grounds of gender, marital status, gender reassignment, status, racial grounds, disability, religion or belief and sexual orientation.

Whilst there is no specific legal definition of bullying, it is viewed to be a form of harassment. Case law has given legal precedents with regard to bullying.

Legislation also gives individual rights against discrimination or unfair treatment with regard to a range of other reasons, including:

  • Membership or non-membership of a trade union provision
  • Relating to maternity, parental or adoption responsibilities
  • Family and caring responsibilities
  • "Whistle-blowing"
  • Part-time work
  • Equal opportunity and diversity
  • Health and safety

CONFIDENTIALITY

HFM will protect the confidentiality of any individual member and will safeguard any information disclosed voluntarily within the regulations set by the Privacy and Personal Information Protection Act 1998 (NSW).

FREEDOM OF EXPRESSION

Whilst it is recognized that HFM must provide for freedom of expression, it is essential that an environment is maintained which is not intimidating. Radio discourse requires the communication of the views and/or beliefs of others and therefore, it is important that distance from views which are likely to cause offence or be discriminatory should comply with HFM Policy and CBAA Policy.

ROLES AND RESPONSIBILITIES

The Board Members, he Secretary and Managers are committed to ensuring that the policy of HFM is robustly implemented and also regularly monitored and reviewed. Members and Board equally play an integral role in working, learning and living by these values.

The Board is responsible for ensuring that:

  • Strategic objectives and the HDB Policy are all effectively implemented and mainstreamed
  • All members, visitors and contractors are aware of their roles and responsibilities in relation to this policy and that suitable training is provided to carry out these responsibilities
  • Appropriate action is taken against those individuals who do not act in accordance with this policy
  • HFM complies with all legislative requirements
  • Relevant procedures and policies are implemented and maintained
  • Promote an environment that values diversity, promotes inclusion and is committed to ensuring equality of opportunity for all members, visitors, service users, partners and stakeholders.
  • Development and implementation of the Equality and Diversity Strategy and Plan in accordance with relevant legislation
  • Ensuring that effective consultation and involvement occurs with key stakeholders with respect to all relevant strategies, policies, practices and procedures
  • Provision of an effective data monitoring, analysis and publishing process that supports the equality and diversity agenda.
  • Provision of advice, support and guidance to managers, members and related partners regarding equality and diversity matters
  • Design and delivery of training initiatives to support the promotion and implementation of the equality and diversity agenda.
  • Support the development and training functions of HFM in the context of equality and diversity requirements and develop activities for members related to equality and diversity.

Members are responsible for:

  • Adopting, implementing and complying with this policy
  • Attending training, if requested, and challenging unacceptable behaviour
  • Reporting any incidents of concern including specific matters, in relation to Harassment, Discrimination and Bullying.

All contractors, sub-contractors and service providers are responsible for complying with this policy and all other legislative requirements as required by HFM.

MONITORING

The monitoring process is an important way of determining whether measures taken by HFM to combat harassment, discrimination and bullying are effective and forms an important part in ensuring that equality and diversity is a reality within HFM. Information is to be gathered sensitively with appropriately worded questions, and confidentiality will be ensured. HFM will make plain the purpose of the monitoring and use the information gathered to create positive change. REVIEW

The effectiveness of this policy will be reviewed annually prior to the AGM and will be presented to the membership for their consideration. The policy will be amended from time to time as changes in legislation occur.

COMPLAINTS

Any cases of Harassment, Discrimination and Bullying will be taken very seriously by the HFM Board and will be treated as grounds for disciplinary action.

Members who believe they have not been fairly treated and in accordance with this policy, should raise issues with the Human Resources Representative on the Board of HFM in the first instance. If the situation is not resolved satisfactorily, then they should follow HFM's Grievance and Dispute Resolution Policy.

Presenters, who believe they have not been treated fairly and in accordance with this policy, should raise issues with the Management Representative of the Board in the first instance. If the situation is not resolved satisfactorily then they should follow HFM's Grievance and Dispute Resolution Policy.

Any Visitor, 'Friend of HFM', contractor or service provider who believe that they have not been treated fairly and in accordance with this policy, should be directed to raise the issues with the Management Representative of the Board in the first instance. If the situation is not resolved satisfactorily then they should follow HFM's Grievance and Dispute Resolution Policy,

If the complaint is found to be malicious or mischievous, it may provide grounds for disciplinary action against the complainant.

Further guidance regarding complaints of discrimination and victimization can be found in the HFM Equality and Diversity Policy.

Policy Guidance - Separate policy guidance documents are available for members

List of Associated Documents

  • HDB Guidance Documents
  • Equality and Diversity Policy
  • Volunteering Policy
  • Grievance and Dispute Resolution Policy

CONTACT DETAILS

Details of who to contact are available at the station.


Highland Media Co-Operative Limited Highland FM 107.1
 P.O. Box 214 Bowral NSW 2576
Tel. 4872 1119 Fax. 4872 1118 Email: management.hfm@exemail.com.au

 GRIEVANCE AND DISPUTE RESOLUTION POLICY

PROCEDURES FOR DISCIPLINARY ACTION AND DISMISSAL OF VOLUNTEERS

PURPOSE

This document outlines a policy and procedure for disciplinary measures and dismissal, and is taken in part from the Community Radio Broadcasting Code of Practice handbook. It aims to provide a clear and fair structure that is understandable to both management and volunteers of Highland Media Co-Operative and Highland FM 107.1.

The policy includes an appeals mechanism to ensure a 'right of reply' to a volunteer who has been disciplined. This is further complimented by Highland FM 107.1 grievance and dispute resolution policy and procedure, which may be used in a situation where a volunteer believes they have not been fairly heard or that the Procedures for Disciplinary Action and Dismissal of Volunteers has not been adequately followed.

This document does not include the procedure for expulsion of a member from the association, which is laid out in the Constitution of Highland Media Co-Operative.

The procedure for disciplinary action is a three-step process which includes:

            • First formal notice in writing
            • Second formal notice in writing
            • Notice to the volunteer of dismissal from duties.

1. For issues that are considered minor a conversation with a volunteer may be appropriate, this will not be part of the formal disciplinary action, although it may be referred to in later action. It is however recommended that a written 'Record of Discussion' be prepared and signed by the representative from Highland FM 107.1.

2. Written notice will include details of the issue and, where feasible, evidence, in a case where the disciplinary measure has been instigated by a complaint; it may be appropriate to include a copy (with identification removed) or extract of this complain. It should also be signed by both parties, if the party being disciplined refuses to sign, this should be noted, and a reason stated.

3. Further disciplinary actions, such as a suspension of volunteer duties for a period of time, may also be appropriate. In such cases these actions will be included with the formal notice in writing.

4. Every effort will be taken to ensure that notice of a disciplinary measure, whether formal or informal, will be given at an appropriate time, eg. Not immediately prior to or during a broadcast.

5. Note of a disciplinary measure will be given by a designated Board Member.

6. Volunteers will be provided an appeal against the action. This may take the form of a meeting with the Board, or a representation in person and/or in writing to the Board.

7. The Volunteer may bring a representative to any such meeting.

8. Should an appeal result in a charge of the disciplinary action, or removal of it, this will be confirmed in writing to the volunteer within 1 week (7 days).

GRIEVANCE AND DISPUTE RESOLUTION POLICY

PROCEDURES FOR DISCIPLINARY ACTION AND DISMISSAL OF VOLUNTEERS

9. Conduct which may lead to disciplinary action includes, but is not limited to:

  • Poor timekeeping or unreliability
  • Not following pre existing station rules and policies, including programming policies and program briefs.
  • Engaging in acts or broadcasts which may breach the Codes.
  • Engaging in broadcasts which may breach other related legislating such as the Broadcasting Services Act 1992 (which provides sponsorship provisions), copyright or defamation laws.
  • Inappropriate handling or use of station equipment or property
  • Rudeness or hostility towards other volunteers or staff members
  • Intoxication through alcohol or other substances during broadcasting hours.
  • Publicly bring Highland FM 107.1 into disrepute.

10. Some conduct may be tantamount to 'gross misconduct' in this instance a volunteer may be dismissed without prior warning.

11. Conduct which may be classed as gross misconduct may include, but is not limited to:

  • Verbal or physical harassment of any other volunteer, employee, member or guest of Highland FM 107.1, particularly inrespect of race, sex or religion.
  • Willful damage to or theft of property belonging to Highland FM 107.1, or other volunteer, employee, member or guest of Highland FM 107.1.
  • Falsifications of any of the organisation records for personal gain
  • Commercial misrepresentation of Highland FM 107.1

12. In a case of a volunteer being dismissed without prior warnings the volunteer will be provided an appeal as outlined in point 7.


Highland Media Co-Operative
P.O. Box 214 Bowral NSW 2576
 Tel. 4872 1119 Fax. 4872 1118 Email: management.hfm@exemail.com.au 1
 PREFACE to Procedure Manual – Radio Highland FM 107.1

Highland FM 107.1 is owned and operated by Highland Media Co-Operative Ltd. The Broadcasting License was granted in 1978 following the intense efforts of a band of volunteers to obtain a ‘local voice’ for the Southern Highland’s Community. Highland FM 107.1 is now on air 24 hours per day, 7 days a week, thanks to these early efforts.

All members of the Co-Operative must hold a minimum of ten (10) share to the value of $20 au, and must maintain continuous active membership of the Co-Operative.

Highland Media Co-Operative has a Board of seven Directors, (hereinafter called ‘the Board’) elected for a period of two years, (i.e. for and three vacancies are filled on alternate years) Sub-committees are appointed as required, reporting to the Board, which meets monthly.

There are approximately 50 members, of which approx. 20 are presenters. Everyone connected with the station is a volunteer.

The primary goal of Highland Media Co-operative and Highland FM 107.1, is to provide a viable alternative to commercial radio station to the community of the Southern Highlands, and to shape the programming to meet the listening needs of all demographics and strive for a standard of excellence in the presentation of Programs. Additionally an important part of the goal is provision of an allocation of time for local groups via access programs and through local community new and information segments. We recognize as part of our goal that ‘the community’ is an important stakeholder.

An example is the regular inclusion of ‘Community Noticeboard’ segments, where community organizations are invited to send in their not-for-profit announcements and they are produced and ‘put to air’.

Regular ‘on air’ interviews with the Wingecarribee Council Mayor, local politicians and newsmakers from around the district, and discussions with representatives of Public Services Sector, such as Police, Fire, SES and utility service providers are encouraged.

Weekly programmes include ethnic language, reading for the print handicapped, religious programmes as well as theatre and concert news.

Music on Highland FM 107.1 reflects the entire spectrum, including classical, country, old time, easy listening, jazz, rock and popular music.

Overnight cross is to the BBC World Service, and is popular to the listening pubic.

Live programs go to air approximately 16 hours per day.

Other aspects of Highland FM 107.1 activities include regular participation and representation at local events such as fairs, markets and special events, and have included Moss Vale Show, Burrawang Easter Fair and Bowral Tulip Time. These events sometimes include ‘outside broadcasting’ feeds to the studio, which are put to air.

Visits to the Studio by local school children are organized from local schools, in addition work experience is also provided. Highland FM 107.1 also award prizes for media studies at local schools and a Bursary is awarded annually.

Highland FM 107.1 is funded through annual active membership fees, ethnic and community grants, Wingecarribee Shire Grants, sponsorship, donations and station fundraising efforts. Highland Media Co-Operative P.O. Box 214 Bowral NSW 2576 Tel. 4872 1119 Fax. 4872 1118 Email: management.hfm@exemail.com.au 2

Upon joining the Co-Operative, new members who wish to become presenters, sign an undertaking to abide by the rules, guidelines, responsibilities and standards of behaviour as set out in Co-Operative Policy Documents.

Training of new presenters is undertaken by Board nominated members, this incorporates an appraisal in technical/panel competency, program production and vocal skills. Presenters who have difficulty with quality presentation are re-trained, so as to maintain a high standard of quality production.

All programs are audio logged, member suggestions are incorporated through the ‘Think Tank’ Forum and participation is encouraged by members in the monthly newsletter ‘Airwaves’.

Highland FM 107.1 has a dedicated ‘listener comment line’. Listeners are regularly encouraged through ‘promos’ to phone in and leave their opinions, feedback – this is an excellent guide to listener opinion, which the Management/Board implement/incorporate wherever possible.

Annexures to Highland FM 107.1 Procedure Manual.

1. Gate Instructions – Issued March 2009

Operational Requirements for gates constructed across Radio Road:

These gates are fitted with several locks, to enable various authorities entrance, Highland FM 107.1 has a lock marked ‘2WKT’.

Over Weekends and designated School Holidays the First Presenter of the day is to unlock the gates, and after passing through, loop the lock and chain around the gate to give the appearance that the gate is locked. Each presenter is then required to enter the gateway, and loop the chain in the same manner. The Last Presenter of the day, is required to secure the chain and lock on departure.

2. Emergency Numbers – (Also on Radio Station Notice Board)
Emergency 000
Bowral Police 4862 9299
Bowral Hospital 4861 0216
NB. Fire Extinguishers are in place outside On Air Studio and in Auditorium

Highland Media Co-Operative
P.O. Box 214 Bowral NSW 2576
 Tel. 4872 1119 Fax. 4872 1118 Email: management.hfm@exemail.com.au

 PROCEDURES MANUAL

FOR USE BY 107.1 HIGHLAND - FM PRESENTERS

SPECIAL NOTICE:

The contents of this document refers specifically to the Premises at Heydon Cottage.
A Special Instruction relating to the operation of the gates constructed across Radio Road:
These gates are fitted with several locks, to enable various Authorities entrance. Highland-Fm has a lock marked “2WKT”.
During weekends, AND designated SCHOOL VACATION dates, the following instruction needs to be followed.
The first presenter of the day is to unlock the gates, and after passing through, loop the lock and chain around the gate to give the appearance of the gate being locked.
Each presenter is then required to enter the gateway, and loop the chain in the same manner.
The last presenter of the day is required to lock the chain securely on departure.
EMERGENCY NUMBERS:
EMERGENCY: 000
BOWRAL POLICE: 4862 9299
BOWRAL HOSPITAL: 4861 0216

FIRE EXTINGUISHERS LOCATED OUTSIDE STUDIO 1 AND IN AUDITORIUM

 

 CONTENTS OF PROCEDURES MANUAL

First presenter in the morning: opening the studio Putting Macquarie news to air 
Closing station: (last presenter of the day) 
Receiving telephone calls
Putting live telephone calls to air
When unable to present your programme 
Studio 
Attendance book / day book
Minors / guests 
On -air protocol 
On-air interviews
Time, temperature and promos 
Weather report 
Sponsors 
Kitchen 
Garbage bin 
Smoking & alcohol 
First aid kit 
Toilet key 
Supplies 
Personal telephone calls in studios 
Monthly 107.1 Highland – FM newsletter - “Airwaves”
Day diary / day book 
Notice boards / notices 
Suggestions 
Headphones 
Think tanks 
Surveillance
Membership fees 
New presenters 
Transmission / transmitter 
Alarm 
Protocol for entering on-air studio 
Record Library 
Radio Tips by Brian Howard 
MiniDisk System – Sony How to use 
Why doesn’t everyone listen to Community Radio? 
Remedies, Cures, Fixes 
Mission Statement 
Diagram of Panel

Procedures Manual: Highland - FM 107.1

Guidelines for Presenters

1. FIRST PRESENTER IN THE MORNING: OPENING THE STUDIO

  • Unlock front door: latch and a deadlock. One key unlocks both.
  • Unlock door opposite production studio.
  • De-activate alarm within about 40 seconds. (Chairman / Station Management will supply code)
  • Sign on in Attendance Book on front desk, and check Day book (alongside)
  • Unlock door to fax-room / outer office
  • Enter studio and remove security bars from equipment, and open curtains
  • Collect and review faxed weather reports, funeral notices etc. and ‘Jocks Journal’
  • Prepare (turn ‘on’) relevant equipment.
  • Programme promo "Open of Station"
You are now ready to start broadcasting. Check panel, making sure Studio Monitor
Selector is on AIR. A diagram of the panel is included in this manual.
Switch off the B.B.C. at the end of their programme, play opening promo, and then start your programme.
The Chairman has a Key Register, and keys are allocated by the Chairman / Station
Management on an ‘as needs’ basis, and have to be signed for.

2. PUTTING MACQUARIE NEWS TO AIR

  • Cue and put on music to time out to the hour / half hour
  • Programme Promo 4 Red Mini Disc or Raduga
  • Unlock cue button on left of panel, and listen to Macquarie on cue
  • Press top news button on left of panel (see illustration)
  • On 6th pip, play promo.
  • Fade your music and press ON button (HILS 1 )
  • Have the Weather promo ready for when you stop the news. Read Weather (Illawarra / Southern Highlands) and return to your programme

3. CLOSING STATION: (LAST PRESENTER OF THE DAY)

  • Play "Closing the Station" promo.
  • Switch to B.B.C. at commencement of this programme, or ensure that Raduga is set to operate as programmed (as instructed by management)
  • Turn off all machines except computers and B.B.C.
  • Draw curtains.
  • Attach security bars to equipment.
  • Check fax machine has sufficient paper.
  • Switch OFF lights.
  • Lock door opposite On-Air studio.
  • Lock door from entry vestibule to office.
  • Sign off in attendance book.
  • Check Production Studio lights/fans heaters are off and door locked.
  • Set alarm...YOU MUST LEAVE WITHIN 60 SECONDS.
  • Lock door outside Production Studio.
  • Turn off all lights.
  • Press timed verandah light
  • Deadlock front door" and CHECK it.

4. RECEIVING TELEPHONE CALLS

Answer calls only when playing music. Do not interrupt your programme. If about to go to air, ask caller to hold or take telephone off cradle. The caller should realise that you are on air. Another way is not to answer or lift phone.

5. PUTTING LIVE TELEPHONE CALLS TO AIR (When authorised by Management)

  • Check box switch is on Studio 1
  • Ask caller to dial Comments Line Number.
  • Visual / Audio ringer will activate
  • Place telephone on CUE
  • Slide telephone level to midway, and advise caller exactly when put to air, then press ON.

6. WHEN UNABLE TO PRESENT YOUR PROGRAMME

24 hours notice is required wherever possible.
PLEASE, NEVER JUST NOT TURN UP!!
Arrange to have another presenter stand in for you, then advise Station Management. Replacement presenter must be a member of the Co-operative.
A mini disc or programme using ‘Acoustica’ can be pre recorded to be played on your behalf but check with the Station Management to organise somebody to put this to air.
If unavoidably delayed or unable to appear due to illness or accident, phone the presenter that is on air at the time and advise that Presenter.
Call Station Management and make suitable arrangements. Always advise the Station as a matter of urgency. Again, PLEASE, NEVER JUST NOT TURN UP!!!
As a matter of courtesy, inform presenter immediately prior to your programme, and advise him/her who your presenter will be.

7. STUDIO 2

  • Book the time and day you wish to use Studio 2 on the Time Sheet located on the Notice Board in passage between studios. If you make a booking and find it is not required, please arrange to have it cancelled. Failure to do so means other presenters cannot use that time slot.
  • Switch on power (power point on wall on left when entering).
  • Panel is identical to the one in On-Air Studio.
  • To record, use Mini-disc player marked RECORDER on Right hand side, or computer using ‘Acoustica’.
  • Check levels i.e. music and / or Mic level before recording.
  • Before leaving, Switch OFF all heaters and fans, and power switch on wall
  • Ensure back door is closed and fly screen door is KEY locked
  • Last presenter to lock at the end of the day.

8. ATTENDANCE BOOK / DAY BOOK

It is mandatory that all persons attending studios, including visitors, sign on and off in
the Attendance book, and not in the Day Book with correct entering and leaving times noted. This is essential for insurance reasons, and protects the establishment as well as the individual.
Presenters on duty are responsible for the security of the Station and its equipment and are also responsible for the whereabouts of their guests within the Station premises at all times.
It should be noted here that the Day book is a communication vehicle where appropriate messages may be written. IT IS NOT for the purpose of frivolous / personal comments.

9. MINORS / GUESTS

Persons who are under the age of 18 who are admitted into the Radio Station do so with the express permission of the Chairman or Station Management. This pertains to when they are invited to participate in a radio programme and should always be under the care and supervision of a responsible adult.
Guests are not permitted under any circumstances to handle equipment.
Aspiring presenters should be over the age of 18, except with the express permission of the Board, and be adequately trained by a person designated by the Board.

10. ON -AIR PROTOCOL

All presenters are required to sign the undertaking abiding by the Co-operative’s rules and standards of behaviour, (‘Presenter / Member Agreement’) such as no swearing, personal or political views expressed.
References to technical problems must never be made on air. All difficulties should be recorded in the Technical Report book in the Studio. (See no. 8)
The Studios are not to be used for personal or business purposes by any Member.
Programme content will be in accordance with the “Presenter Programme Guide” completed by the Presenter and accepted by Management.
Presenters are encouraged to broadcast not less than 20% Australian content, in accordance with CBAA Guidelines. (Except Ethnic programmes)

11. ON-AIR INTERVIEWS

On-air interviews shall be conducted with the express knowledge and permission of the Board of Directors.
It is imperative for presenters to realise there is NO seven second delay facility to eliminate any unfortunate gaffes which may otherwise go to air, therefore the utmost vigilance is necessary monitor what is said. The Presenter is RESPONSIBLE therefore for what is voiced on air which may have ramifications to Board level if unchecked.

12. TIME, TEMPERATURE AND PROMOS

Listeners are to be informed at regular intervals (minimum hourly) of the time of day, the outside temperature as shown on the Studio monitor, the programme title your name Station I.D. should be mentioned periodically and always played between programmes.
Community services announcements, CSA (green) and sponsors' announcements (also green) are to be played on either the Left hand mini disc player, or on the PC using “Raduga”.
Station I.D’s and programme promos are played on the Right hand Mini disc player or on the PC using “Raduga”.
The lists hang on the Right hand rack containing all the Right hand players.
If for any reason either Mini Disc is temporarily removed from machines, always place discs on TOP of relevant player.
THESE DISCS MUST NOT BE REMOVED FROM THE STUDIO.

13. WEATHER REPORT

The Bureau of Meteorology faxes current weather reports to the Station at set times during the day. (The fax machine is in the outer office)
Presenters on duty should play Weather Intro. (Number 5 on Red mini disc or ‘Raduga’) and then read the weather report.
Present day conditions pertinent to the Illawarra and Southern Highlands areas should be broadcast.
During severe weather the Bureau will also send Storm / Gale warning alerts.
These should be broadcast as a priority, and any State Emergency Services instructions for the public.
(It is envisioned that instead of being faxed, weather reports will be relayed to the Station computer, and forwarded to a monitor in the on-air studio.)

14. SPONSORS

Presenters should inform the Sponsorship Manager of any potential sponsors. All leads will be followed up.
Broadcast time of Sponsors' announcement is limited to 5 minutes in total each hour.
EACH sponsorship announcement must acknowledge the financial support of the sponsor.
Content and style of the programme cannot be influenced by the sponsor. Music used in sponsorship announcements must not be commercial copyright material.

15. KITCHEN

This is a communal convenience for all presenters.
Members must leave this facility in a clean and tidy condition. Wash and put away everything after use. Used Tea bags must be placed in bin provided and tea towels not to be used for anything other than to dry utensils.

16. GARBAGE BIN

This is a large receptacle placed in the side area on the verandah opposite the entrance to the Radio Station. It is for the Station's use exclusively and NOT for personal rubbish.

17. SMOKING & ALCOHOL

Smoking is not permitted within the Radio Station building.
No eating or drinking in either the On-Air studio or the Production studio is permitted.
NO ALCOHOL IS ALLOWED ON THE PREMISES AT ANY TIME.

18. FIRST AID KIT

This is located in outer office within easy access. If you deplete any supplies, please leave a message in the Day Book.

19. TOILET KEY

Key to toilet is on the wall beside the window in outer office.
The toilet is unlocked by the first presenter of the day, and locked by the last presenter of the day. The key to the electrical switchboard (situated on the verandah) is attached to the same key tag.

20. SUPPLIES

The grey steel cupboard in the outer office contains fax rolls, toilet paper and light globes.

21. PERSONAL TELEPHONE CALLS IN STUDIOS

Personal calls are not permitted unless in an emergency.

22. MONTHLY 107.1 HIGHLAND – FM NEWSLETTER - “AIRWAVES”

This is a monthly presenters' newsletter. Submissions are welcomed and may be placed in the Airwaves box which is found on top of the rear cupboard behind presenters' chair in Studio 1. Closing date for submissions is 1st Tuesday each month. Airwaves is delivered by e-mail.

23. DAY DIARY / DAY BOOK

(See No.8) Any incidents, breakdowns or equipment failures are to be noted here, in addition to the special Tech Report book in Studio 1. Technicians carry out regular maintenance and repairs. Emergency situations are to be reported to the Station Management immediately, and appropriate action will be taken.

24. NOTICE BOARDS / NOTICES

Presenters are to check all notice boards regularly for current information.
Notices placed on console by Chairman, Station Management or Secretary MUST NOT BE REMOVED.

25. SUGGESTIONS

A box is available on front desk for any useful ideas, and we encourage participation.

26. HEADPHONES

Presenters must wear headphones while broadcasting. The Importance of this is made clear during training.

27. THINK TANKS

These are regular meetings for members and presenters to attend. Regular attendance is expected. Please have someone pass on an ‘apology’ and any ideas or suggestions if you cannot attend.
This forum is for Presenters and Members to air opinions and suggestions ask questions and offer new ideas. Meetings are held at 7.30 p.m. at the Mittagong R.S.L.
This is also an excellent opportunity for presenters to network and socialize. Venue and time are posted on blackboard in foyer and also on presenters' notice board in outer office.

28. SURVEILLANCE

Video surveillance cameras are in operation at the Studios and are reviewed regularly for presenter and contents security.

29. MEMBERSHIP FEES

All Membership Fees are due by June 30th annually. Failure to pay fees by due date may result in Presenter’s suspension from broadcasting.

30. NEW PRESENTERS

After payment of the Highland Media Co-op. Membership, the Member can be trained by a person nominated by the Board, and reviewed at intervals. An On-Air time slot will then be offered when one is available.

When ready to go to air, the Presenter’s / Members Agreement must be signed and a programme information document, stating the type of Programme preferred, furnished.

31. TRANSMISSION / TRANSMITTER

Studios and equipment are located in Mittagong, and micro-wave linked to the transmitter on Mt. Gibraltar. The Station broadcasts 24 hours per day, 7 days per week.
Our broadcast reaches all of Wingecarribee Shire.

32. ALARM

In the event that the security alarm should operate, ring the Station Management (or nominated person on list in Studio) for the code to de-activate.
Establish the cause for the alarm incident if possible; i.e. that it was accidental, storm activity and not the consequence of an attempted break-in.
The alarm control panel is situated outside the Production Studio on Right of door.
Presenters should ensure that the front door is locked at all times.

Visitors need to press the button at the front door. The blue light will flash in the studio, giving the presenter time to identify the person wishing entry. If not known to him / her, Presenters need to assure themselves of the validity of the person and purpose of the visit, before allowing entry.

33. PROTOCOL FOR ENTERING ON-AIR STUDIO

Presenters must arrive at the Studio at least l5 minutes before they are due to go on air. They must not enter the studio until invited to do so by the presenter on duty.
Never enter the Studio while the red ‘On Air’ light is on. The presenter on duty will
indicate when to enter at least 5 minutes before change-over.
Protocol for change-over will be outlined during training, and is a mandatory procedure.

34. RECORD LIBRARY

The record library will be available for borrowing recorded music (CD’s) and will be unlocked by the first presenter of the day, and locked at the close of the premises.
The honesty system will be used, and borrowers will be required to enter details of the discs being borrowed in the book provided, and return them promptly when they are finished.

RADIO TIPS By Brian Howard

(Courtesy Independent Country Music Bulletin)

Although I have been in radio for over twenty years. including over twelve years in commercial radio over a huge radio network, there are a lot of broadcasters better than I am and I probably have more bad shifts than good, I consider myself like a sports coach. I may not be the best player, but I know how the game should be played. So please accept this information for what it is. (Keeping in mind that I am one of only four announcers in Australia employed in commercial radio working forty hours per week
broadcasting only country music).
 
The strongest tip I can give anyone in radio is to Air Check every program. Be critical of your air check “am I repeating the same phrases or words", this is the biggest turn off for a listener. Look out for 'ums and ahs'.
I recall a discussion with a leading Sydney DJ who has been in radio for most of his life. I asked when he last Air Checked his program and he replied 'the last one'.
Remember the most important part of radio is communication. If you are not communicating to your audience, you are wasting-your time in radio. You are like a singer on stage, who must communicate with his audience. Although you can't be seen you have to be colourful and visual with your voice. A little like trying to sell your second hand car to an unknown person over the telephone.
 
Never open a microphone unless you are ready to communicate. It‟s far better to play another record than speak if you are not prepared. Don't get caught on the phone, be sure to have everything loaded and ready before you answer the phone.
I always listened to the top announcers on commercial radio, I did not try to copy them, however I picked up a lot of tips on flow and delivery.
Like any sports-person, warm ups are essential. Before going on air read a few stories from the newspaper out aloud and say the letter 'W' about twenty times.
 
Always check the desk and head sets before you go to air, remember the announcer on before you may have a completely different set up.
Sit up straight, never slouch over the desk. The microphone must be about four inches away from your mouth with your head erect.
Be bright and breezy, even if you are not feeling the best, remember it's not your listeners fault that you had a big night the night before. Never say on air that you are feeling crook.
 
I always focus myself to one listener. If it's that time in the morning when most people are getting out of bed to go to work, then I focus on that one person and put myself in his place, keeping in mind he may not have time to listen to every word I say, the music will be a background for him getting ready for work. He will be listening for the time more that anything. If it's an evening shift, I picture the bloke out on the back step with a stubbie after a days work and so on.
 
Don't got caught up with regular callers to your program, although it's nice to get some calls, don't let them take over your show with the same old request or regular cheerio calls. Give them a miss for a few programs, they soon get the idea and still listen.
Try not to let on to your audience that you are a big fan of a particular recording artist Remember you are not playing records for yourself, if So, you could have stayed home and played them. Never try to force one of your favourite songs on your audience.
 
Never shoot yourself down, if you are not sure about something e.g. Slim's wife's middle name, leave it alone.
Avoid house jokes and personal messages and comments. Try to obtain a copy of the Broadcasting Tribunal Regulations as it covers that pretty well. Never say you are filling in for so and so while they are having a well earned holiday at the beach, because you know what can happen then.
Talking over intros and outros is the professional touch to broadcasting. It takes a lot of practice and after stuffing it up for awhile it will eventually come easy. Practice on the cue and work our roughly how long the intro is. Remember to keep up with the theme, e.g. if a bright intro you talk bright and vice versa for a slow song.
If the song has a cold start, e.g. a song that starts vocally with no into, it's a good idea to have it back to back with another record or straight out of a station jingle.
Try to keep your music flowing in waves e.g. slow and fast. Also keep it in context e.g. you wouldn‟t play Stan Coster in between Garth Brooks and Shania Twain. If it's a special song that should be explained, set it up for your listeners.
 
Avoid introducing a song and back announcing the same song, unless it's a featured song or artist. Give a station call sign or time call over the intro and just play the record and back announce after the record has played or at the end of the sweep.
It is the usual practice to never play more than three records in a sweep without a station or program ID.
 
Avoid going straight into a news or commercial / community announcement break from a song without a station lD. Avoid comingout of the same without an lD before a song or feature.
Footnote: Brian Howard will be conducting workshops at the Musicians' Headquarters Tamworth Festival 2001 with the emphasis on radio interview and microphone techniques. These workshops will also incorporate 'hands on' involvement at radio station 2YOU FM across the road from the Headquarters.

HOW TO USE THE MINI DISK SYSTEM

Here's how to master the MiniDisk System in one, easy lesson!

Sony's, MiniDisk is a distant cousin to the familiar CD player. It uses many of the same ideas. So, if you're comfortable with CD's ... you're
already well on the way to becoming a MiniDisk expert. Programming is simple, and almost the same as programming music on the CD players.
Here are the basics....

GETTING STARTED

Of course, you've checked that the power is on.
(I) The left hand display area must show 'PROGRAM' in small red letters. If not, press the small 'Program Mode' button (upper row) until the display is correct.
(2) Insert your MiniDisk with the arrow facing away from you and label side up. Gentle pressure is all that's needed; the disk will complete loading and the display will show a grid of track numbers.

PROGRAMMING THE PROMOS TO BE PLAYED.

(3) If you haven't already done so, check the sheets in the studio for the track numbers of material you want to play.
(4) Using the large rotary selector knob next to the slot, dial the first number required.
The display now shows a text title ribbon to identify your selection.
(5) Press the knob in to 'lock in' your selection.
Repeat these steps (4 & 5) as many times as you want. Promo track numbers selected are shown in lower section of display
(6) When you have completed selecting your batch, press 'PAUSE' button in the lower row.
Promos are ready to play and you should check your audio level (slider) and put the channel button to On Air status.

PLAYING YOUR PROMOS

(7) When ready, press 'PLAY'. Your promos will play in the order programmed --- with no breaks between them.
(8) MOST IMPORTANT!! When your batch has finished, press STOP button to cancel your selection (the track numbers will disappear). Otherwise, when you program your next batch, they will simply be added to your first --- and the original batch will play through again before any new selections! That way lies madness for presenters and listeners, alike!

 

WHY DOESN'T EVERYONE LISTEN TO COMMUNITY RADIO?

* Compiled from information provided by CBAA, AFTRA, 2RRR, 2RDJ, 2MCE, 5UV and professionals in the radio broadcasting industry.

Apart form personal tastes in music, there are a number of "turn-offs” which apply to community radio.

  1. Presenters are too amateurish.
  2. Too many "Ums" and "Ahs".
  3. Can't understand the presenter.
  4. Boring.
  5. Programme not relevant to my interests.
  6. Presenters are too self-indulgent / have too high an opinion of themselves.
  7. Too many "air gaps" (dead air).
  8. Presenters are not entertaining / interesting.
  9. Material presented is not relevant
  10. Material presented is out-of date / stale.
  11. Program not relevant to the community / target listener.
  12. Programs are too diverse - no continuity.
  13. Too many people talking at the same time.
  14. Interviewer interjects too often.
  15. Levels are not correct - voice over music is not balanced
  16. Quality of transmission is poor / can't receive signal clearly

REMEDIES / CURES & FIXES.

It should be the objective of every presenter to continually improve and strive for a "professional, entertaining and/or interesting" program. The following are
suggestions and ideas from the pro's and trainers, and are more about individual
items, not technique - which is a whole different set of issues. They address all but the last of the above items, which is a technical / financial issue.
  1. Record your broadcasts off air - listen to them about a week later preferably before you go on air again).
  2. Look for obvious areas to improve. RSVP (Rhythm, Speed- Volume, Pitch)
  3. Set a goal to improve on one item each time you go on air.
  4. Wear headsets and monitor your programme "off air".
  5. Remember - Dead Air is a wasted opportunity
  6. Watch your levels at all times - particularly when you change what is going to air and especially during interviews.
  7. Warm up your voice before going on air - enunciate clearly.
  8. Have a format for your programme - regular items at regular times.
  9. Don't publicise commercial ventures unless it is relevant to your program; we don't receive any sponsorship from these organizations.
  10. Under no circumstances promote a business - even a local business unless: (a) They have signed as a sponsor. (b) You have a contra deal that has        been registered with management.
  11. When interviewing - while the other person is speaking, don‟t interject or even make any sound - unless it is to ask a question, or to terminate the             interview. With a live interviewee - nod (or shake) your head from time to time to signify that you are paying attention. LISTEN TO WHAT THEY SAY!
  12. Know when to stop talking - don't jibber on about, irrelevancies.
  13. Use analogue time (e.g.” ten past six”, “… twenty minutes to seven”) and to the nearest minute - approximate time - we don‟t have a time standard.
  14. Decimals in temperature calls are a delusion - go to the nearest whole number.
  15. No one cares what the inside temperature at the studio is - forget it!
  16. Visualise your listener sitting on the opposite side of the microphone to you. Converse with them, involve them – never speak down to them or up to           them.
  17. Never indulge in jokes or side comments that exclude the listener.
  18. If there is more than one person involved in the discussion, don‟t speak over one-another - take turns - have someone in control. Your listener isn‟t        usually interested in squabbles for air space. (On-air debates are something else and need skill)
  19. Don't have a conversation on air where the other party is off mike or talk to them off air.
  20. Give preference to local activities.
  21. Cross promote other programmes on your station. Learn a little about the programme before yours, and a lot about the one after. Cross-   promote            with programmes that have a similar target listener to yours at other times during the week.
  22. Inform, entertain and add value. Broadcast only material that is relevant to your listener and is not “stale news”
  23. Have your major Focus on local issues and local community groups. and personalities.
  24. Weather Forecasts: Don't tell people the obvious: they know what it is like outside - tell them what is expected to happen - alert them to pending                 storms or changes.
  25. Be constantly aware of what is happening in the world around you. Link what's happening with your listener.
  26. Deliver what you promise. If you promise a music track play it. If you promise an interview, give it - OR APOLOGISE and give a valid reason before you     sign off. A Good Motto: "DO AS YOU SAY".
  27. Newspapers are not written to be read out on air. Their articles need to be edited - often re-written for radio.
  28. Be prepared. If you are doing a I hour show, spend 1 to 1½ hours preparing for it
  29. Have a professional approach. You are using valuable assets, don't squander them.
  30. Have Fun - Enjoy - or give up and let someone else have a go!

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HIGHLAND MEDIA CO.OPERATIVE LTD.
PO Box 214, Bowral, 2576
Phone: [02] 4872 1119 Fax: [02] 4872 1118
MISSION STATEMENT

1. To strive to provide a professional standard broadcasting service, and to supplement and complement the existing radio service in the Wingecarribee Shire and surrounding areas

2. To provide this service through an independent Non-profit radio station owned and operated by the Co-operative.

3. To entertain and inform the local community and enable persons representing a wide range of community interests and concerns to broadcast to the people of Wingecarribee Shire, predominantly matters of special interest or relevance to people in this area.

4. To be the voice of the community that enables the community to talk to the community. 5. To provide training for volunteer members of the community as presenters and in other aspects of radio broadcasting.

5. To provide training for volunteer members of the community as presenters and in other aspects of radio broadcasting.

Revised: 24th June 2009

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